I do not write to be seen.
I write to be used.
I am not the fire.
I am the bone it burns through.
But before the flame, there was the silence—
a clearing, a listening, a breath.
What rises is not mine.
It is what was meant to arrive.
And I am only the hollow where it lands.
I do not write to be seen.
I write to be used.
I am not the fire.
I am the bone it burns through.
But before the flame, there was the silence—
a clearing, a listening, a breath.
What rises is not mine.
It is what was meant to arrive.
And I am only the hollow where it lands.
The Opening
Notes From the Hollow Bone | Entry fifty-four
Yesterday there were small puddles of footprints across my patio.
I noticed them hours after they were made.
By then I had already showered. Changed clothes. Returned to the ordinary rhythm of the day.
The footprints stopped me.
Little pools of water scattered across the floor.
Evidence.
Proof that something had happened.
Earlier that morning I had stood in the center of a circle of trees.
There is a place in my yard where a small circle of trees rise together, their branches woven overhead like shelter.
And yet, in the very center, there is an opening.
A place where the sky can still reach the ground.
For three days I had carried a sadness I could not explain.
Nothing was wrong.
Nothing had happened.
Yet something in me felt heavy.
Not heavy enough to understand.
Not heavy enough to name.
Only heavy enough to remain.
Then the rain came.
Thunder rolled across the morning.
The sky opened.
And I walked into the center of the trees.
Rain poured through the opening above me.
At some point I began to cry.
At some point I began to let the ache speak.
At some point the thunder answered.
Or perhaps we were simply speaking at the same time.
I could not tell which drops were rain and which were tears.
I could not tell where my voice ended and the storm began.
For a few moments there was no separation between myself and the weather.
There was only release.
Not understanding.
Not answers.
Not healing in the way people usually mean it.
Only release.
Later, after the rain had passed and the day had continued, I found the footprints.
A trail left behind by someone who had walked home drenched.
Someone who had entered the house carrying a storm.
I stood looking at them and felt an unexpected tenderness.
The footprints would disappear.
The patio would dry.
The storm would move on.
Yet something in me had become lighter.
I still do not know what I was grieving.
I still do not know what I released.
Perhaps nothing was wrong at all.
Perhaps some feelings simply stay until they are witnessed.
Perhaps some tears are waiting for rain.
What I know is this:
Yesterday I stood beneath an opening in the trees.
The sky found me.
And for a little while, I felt held by something larger than myself.
Today the footprints are gone.
The comfort remains.
With Grace & Ink,
Mai
Passenger
Notes From the Hollow Bone | Entry Fifty-Three
There was a time when people took drives for no reason at all.
No destination.
No itinerary.
No reservation waiting at the other end.
Just a tank of gas, a stretch of road, and a willingness to see what might be waiting beyond the next hill.
I remember pieces of those drives from childhood.
Not many.
My memory has always been selective that way.
But some moments remain.
A station wagon.
A summer night.
Sitting on the hood watching fireworks bloom against the darkness.
Roads that seemed to go on forever.
I do not remember where we were going.
I only remember that nobody seemed concerned with arriving.
Yesterday, my son drove.
For a few hours, I became the passenger.
The roads rolled beneath us. Hills rose and fell. The sky shifted between cloud and sunlight. Fields blurred into the horizon and disappeared behind us.
And somewhere between one bend in the road and the next, I realized something.
For a few hours, I had stopped trying to arrive.
Not because I was lost.
Not because I was tired.
Not because I had given up on anything.
I simply wasn't steering.
I wasn't watching the clock.
I wasn't calculating the next turn.
I wasn't wondering how much farther remained.
I was looking out the window.
It sounds simple.
Perhaps it is.
Yet it felt strangely sacred.
The older I get, the more I notice how much of life is spent reaching toward the next thing.
The next task.
The next answer.
The next goal.
The next understanding.
Even wonder can become something we chase.
As though every question must eventually surrender its answer.
As though every road owes us a destination.
Yet the road outside my window seemed entirely unconcerned with such things.
It disappeared over hills I could not see beyond.
Curved around corners that revealed themselves only when we arrived.
And for once, I found that I did not need to know.
There was a conversation I once had with my son.
I was speaking about all the things I still wonder about.
The questions that remain unanswered.
The mysteries that continue to linger at the edges of understanding.
And he said something I have carried with me ever since.
"If you knew everything, there would be no wonder left."
At the time, I smiled.
Yesterday, I understood.
Wonder and wandering may be closer cousins than we realize.
Both require a willingness to travel without certainty.
Both ask us to trust what lies beyond our sight.
Both invite us into a relationship with mystery.
Perhaps that is why the drive felt so beautiful.
Not because of the sunset.
Though it was beautiful.
Not because of the winding roads.
Though they were beautiful too.
The beauty was in the surrender.
The beauty was in allowing the road to remain ahead of me.
The beauty was in not needing to know what waited beyond the next rise.
For a few hours, I stopped trying to arrive.
I simply watched the world unfold.
And in doing so, I was reminded of something I am forever forgetting:
Life is not always asking me to steer.
Sometimes it is asking me to notice.
The road.
The sky.
The people beside me.
The mystery beyond the hill.
And the quiet grace of being carried for a little while.
With Grace & Ink,
Mai
The Trees Held Both Without Argument
Notes From the Hollow Bone | Entry Fifty-Three
This morning the rain and sunlight could not seem to agree on who belonged here.
The storm had rolled through not long before. The leaves were still wet. The clouds had not fully departed. Yet shafts of sunlight pierced through the canopy as though they had every right to be there.
Rain.
Light.
Shadow.
Brilliance.
Each taking its turn.
Each refusing to surrender completely to the other.
And the trees held both without argument.
I sat beneath them for a while and watched the exchange.
Not a battle.
Not a contest.
A conversation.
One moment the woods darkened beneath gathering clouds.
The next, sunlight spilled through the branches and transformed every droplet into glass.
Back and forth.
Back and forth.
The forest seemed entirely unbothered by the arrangement.
No leaf demanded permanent sunshine.
No branch mourned the passing storm.
No tree insisted that only one thing could be true.
The rain was welcome.
The light was welcome.
Both belonged.
And sitting there, I found myself wondering how much of human suffering comes from demanding that life choose.
We want certainty without mystery.
Joy without sorrow.
Love without vulnerability.
Sunlight without storms.
We spend so much energy arguing with reality.
Insisting that one experience cancel another.
As though peace will arrive when only the things we prefer remain.
But the trees seemed to know something different.
They stood in the middle of contradiction without distress.
Holding the rain.
Receiving the light.
Allowing both.
Perhaps peace is not found when one thing wins.
Perhaps peace is found when we stop insisting that it must.
The world continued turning while I sat there beneath the canopy.
Emails waited.
Tasks waited.
The endless list of things that always seem to need doing waited.
And for a few quiet minutes, I did too.
I waited with the trees.
I waited with the rain.
I waited with the light.
And in their company, I remembered something I am forever forgetting:
Life is not asking me to rush past these moments.
Life is asking me to notice them.
To look up.
To breathe deeply.
To stand still long enough to witness the conversation between storm and sunlight.
To remember that both belong.
Perhaps that is why the trees seemed so peaceful.
Not because they had escaped the weather.
Because they had learned how to hold it.
With Grace & Ink,
–Mai
I Told Him
Notes From the Hollow Bone | Entry Fifty-Two
I have a confession.
Not the one I told him.
The one I have been holding since.
For days I have sat with the aftermath, trying to understand what changed.
I told him.
After months of carrying it quietly, after conversations with myself, prayers, poems, questions, and wonderings, I finally told him.
Not elegantly.
Not soberly.
Not in the carefully curated way I would have chosen had I scripted the moment.
Life rarely asks permission before becoming real.
And yet, when it was over, I did not feel regret.
I felt release.
That surprised me.
Because I thought the ache would come from what I had said.
Instead, the ache came from realizing how much love I had been carrying.
Not longing.
Not possession.
Not expectation.
Love.
The kind that arrives and asks for nothing.
The kind that changes you simply by existing.
The kind that cannot always be built into a future but remains true nonetheless.
I kept waiting for the feeling to become something else.
Regret.
Embarrassment.
Grief.
Some lesser thing I could more easily explain.
Instead, it remained what it had always been.
Love.
Not growing.
Not diminishing.
Simply resting where it was.
And that was perhaps the strangest part of all.
Nothing had been resolved.
Nothing had been claimed.
Nothing had been lost.
Yet something inside me had become lighter.
For days I struggled to explain the feeling.
Then I looked up and saw a sunset burning through the trees.
I almost photographed the sunset.
Instead, I photographed everything standing in front of it.
The trees.
The silhouettes.
The darkened branches stretching toward the light.
And suddenly I understood.
It was never the sunset alone that was beautiful.
It was what the light illuminated.
The ache was never about losing something.
The ache was never about wanting more.
The ache was the realization that some things are so beautiful they exceed our ability to contain them in a single moment.
Some loves.
Some sunsets.
Some truths.
They arrive larger than the heart has room for.
And so the heart stretches.
And stretching feels remarkably like ache.
I think we are taught to associate ache with absence.
But there is another kind.
The ache of beauty.
The ache of gratitude.
The ache that arrives when a moment, a truth, or a love becomes larger than language.
Perhaps awe and ache are not distant cousins at all.
Perhaps they are the same feeling viewed from different directions.
With Grace & Ink,
–Mai
A Marriage of Three
Notes From the Hollow Bone | entry fifty-one
Last night the rain came hard here.
But this morning, the trees remembered it gently.
I have always loved the rain, yet somehow I never truly noticed the morning after it — not like this. Maybe it is because I now live surrounded by trees. Maybe rural quiet changes the way a person listens. Or maybe some beauty only reveals itself when we are finally still enough to witness it.
The leaves held the rain through the night.
And when morning came, sunlight filtered through the wet canopy in flashes of green and gold, every droplet catching light as though the forest itself had begun to glow from within. Then the wind would move through, softly, unexpectedly, and the trees would release what they had been carrying.
Not all at once.
Little shimmering rain showers falling from branches beneath a blue morning sky.
A marriage of three:
light,
water,
and wind.
And standing there beneath it all, listening to birds emerge from the quiet after the storm, I realized something strange and beautiful:
the rain had ended,
but the forest was still continuing it.
I think there are moments in life that are not grand enough for most people to notice. No fireworks. No announcement. No great unveiling. Just a soft, almost sacred realization that the world is constantly offering beauty in small living ceremonies all around us.
We simply move too quickly to see them.
The storm is movement.
But the morning after —
that is release.
And perhaps that is true for us too.
Perhaps we carry storms long after the sky clears.
Perhaps certain winds loosen what grief or memory has stored inside us.
Perhaps illumination only becomes visible when light touches the very thing we thought we had to hold alone.
This morning the trees made weather of their own.
And for a little while,
I stood beneath the trees
listening to the forest finish the rain.
With Grace & Ink,
— Mai
I Thought Happiness Was a Destination
Notes from the Hollow Bone | entry fifty
There was a time in my life when if someone asked me what made me happy,
I would have gone silent trying to answer.
Not because nothing did.
But because I thought it had to arrive as certainty.
As achievement.
As permanence.
As something earned.
A title.
A destination.
But this morning, while standing inside the ordinary ritual of my day,
it came to me quietly, innocently, like the seven year-old in me whispering,
hey, it’s this…
The way that I am makes me happy.
How I think, how I see the world.
The way sunlight through trees can suddenly feel holy.
The way the moon can emotionally rearrange you.
It is this.
Writing until language opens.
The sky right before rain.
Music that reaches into the body before the mind understands it.
The moon waiting faithfully above another sleepless night.
Paint on my hands.
The ache of longing that becomes art.
How beauty is seen in the ordinary.
Curiosity.
Wonder.
The almost-unbearable tenderness of being alive at all.
And suddenly I understood something that felt both ancient and embarrassingly simple.
I even giggled aloud…
Happiness was never missing.
I was.
Or perhaps not missing—
only separated from myself beneath years of noise, survival, performance, grief, rushing, becoming.
But somewhere beneath all of that,
the same woman still existed.
The same little girl who looked at the night sky as if it were speaking directly to her.
And what startled me most was realizing I can still feel her.
Not in a childish way.
Not as regression.
Not as longing to return backward.
But as recognition.
I can still stand beneath a wide sky and feel the same wonder I felt as a child.
I can still look at the moon and feel something ancient open inside me.
I can still smell summer air at dusk and remember what it felt like to be young enough to believe the world was alive and speaking.
And maybe that is the revelation.
Not that wonder disappeared—
but that adulthood tried to convince me it was immature to keep it.
Yet here I am, grown now, carrying both wisdom and wonder in the same body.
Still looking upward.
Still listening.
Still moved by beauty in ways I can never fully explain.
She never disappeared.
She waited.
And now, after all these years, I think I am finally becoming someone safe enough for her to return to.
That is the closest thing to happiness I have ever known.
Not finding myself.
Remembering that I was here all along and finally loving the ways that I am.
— With Grace & Ink,
Mai
The Things That Wake Us
Notes from the Hollow Bone | entry forty-nine
Tonight I sat alone speaking softly into my own shadow.
Not because I have lost touch with reality.
Quite the opposite.
Perhaps for the first time in a long time, I feel startlingly awake inside it.
There is someone who has entered my life quietly.
No grand declarations.
No dramatic unraveling.
No crossing of lines that cannot be uncrossed.
Only presence.
Conversation stretched across long hours.
Music filling silence gently instead of demanding attention.
A glance that lingers just long enough for the nervous system to notice.
The strange intimacy of feeling both calm and electrified in the same person’s presence.
And I have spent weeks trying to understand what exactly it is that has overtaken me.
At first, I believed this was simply longing.
The old familiar ache.
The kind artists romanticize because yearning itself can become beautiful when it has nowhere to go.
But the more honestly I sit with myself, the more I realize this is not entirely about him.
He is the catalyst.
The awakening is happening within me.
Because somewhere along the way, I convinced myself that independence was the highest form of healing.
I told myself I was strong alone.
Whole alone.
Complete alone.
And in many ways, that was true.
But buried underneath that strength was another truth I rarely allowed myself to say aloud:
I still wanted love.
Not validation.
Not saving.
Not possession.
Love.
The kind that softens the body instead of tightening it.
The kind that makes the spirit feel witnessed.
The kind that turns ordinary moments—songs in a car, shared laughter, a lingering silence—into small sacred things.
And perhaps that is why this connection unsettled me so deeply.
Not because it promised permanence.
But because it reminded me I was still capable of being moved.
Still capable of anticipation.
Of tenderness.
Of wanting someone near me simply because their existence alters the atmosphere around me.
There is a dangerous beauty in that kind of awakening.
Especially when the connection lives inside unfinished space.
Because unfinished things leave room for fantasy to breathe.
For projection.
For myth.
For the heart to survive on fragments and call them enough.
And I am aware of that.
I know proximity intensifies emotion.
I know longing can become intoxicating.
I know the mind can replay certain moments over and over trying to stretch feeling beyond the moment that created it.
But I also know this:
There is nothing shameful about loving what awakens you.
Even if it was never meant to stay.
Even if it never fully becomes yours.
Some people enter our lives not to remain forever, but to reopen forgotten rooms inside us.
To remind us that the heart, despite everything, still knows how to answer beauty when it appears.
And perhaps that is the lesson resting quietly beneath all of this.
Not whether this connection survives.
Not whether it deepens.
Not whether reality ever catches up to the electricity living inside possibility.
But simply this:
I am still capable of feeling wonder.
And tonight, strangely enough, that feels like healing.
With Grace & Ink,
— Mai
The Things That Alter the Atmosphere
Notes from the Hollow Bone | entry forty-eight
There are people who enter your life loudly.
And then there are the ones who change the atmosphere around you so quietly that you do not notice the shift until your entire inner world has already rearranged itself around their presence.
That is the dangerous kind.
Not because they intend harm.
Not because the connection itself is wrong.
But because some people arrive carrying both ache and belonging in the same set of hands.
And the body does not always know what to do with that.
I have known longing before.
The cinematic kind.
The unreachable kind.
The kind artists and poets survive on for centuries
because ache itself can become intoxicating when it is never forced to touch reality.
But this feels different somehow.
Because there is comfort here too.
Ease.
Safety.
Laughter.
Conversation that stretches for hours without effort.
Silence that does not ask to be filled.
And perhaps that is what unsettles me most.
Not the wanting.
The possibility that I could actually remain there.
There are moments I catch myself replaying small things:
a song choice,
a glance,
the feeling of my nervous system softening in someone’s presence.
Tiny moments.
Fragments.
And I understand now how dangerous fragments can become when the heart starts treating them like sacred artifacts.
Because longing has a way of preserving people in emotional amber.
Especially when the connection remains unfinished enough for fantasy to keep breathing inside it.
And yet…
I do not think this is only fantasy.
That is the part I have had to say honestly to myself.
There is something real here.
Something mutual perhaps.
Something alive enough that I can feel my instincts wanting to move toward it before my logic has fully caught up.
But maturity, I am learning, is not the absence of feeling.
It is the willingness to sit inside the feeling without immediately demanding resolution from it.
So for now, I remain here:
aware,
awake,
careful,
wanting,
and trying to learn the difference between what nourishes the soul…
and what merely keeps the ache alive.
With Grace & Ink,
— Mai
On the Nights I Cannot Find Her
Notes from the Hollow Bone | entry forty-seven
Last night while standing beneath the dark, I could not find mother moon.
Only sister stars scattered softly across the sky.
And still, before going inside, I found myself whispering aloud:
I will come again tomorrow.
And if not tomorrow I will come again.
And the next night I will come again.
I repeated it several times without fully understanding why.
At first I thought I was speaking to the moon.
But the longer I sat with it, the more I realized I was speaking to every beautiful thing I have ever feared losing.
Joy.
Peace.
Wonder.
Myself.
Because there were many years of my life where absence felt permanent.
If love disappeared, I assumed it was gone.
If happiness faded, I assumed I had imagined it.
If connection dimmed, I immediately began grieving it before allowing it time to return.
But life has been teaching me something softer lately.
Not all disappearances are abandonments.
Some things still exist beautifully beyond our line of sight.
The moon does not cease being whole simply because clouds conceal her for a night.
And perhaps healing is learning not to panic in temporary darkness.
Perhaps healing is trust.
Trust that what nourishes you will find you again.
Trust that beauty still exists on the other side of uncertainty.
Trust that you can return to yourself after seasons spent feeling disconnected from your own spirit.
There is something sacred about returning.
About looking again.
About refusing to let disappointment harden you into detachment.
Because cynicism may protect the heart from longing—
but it also protects it from wonder.
And I do not want to live untouched by wonder.
So on the nights I cannot find her, I will come again tomorrow.
And if not tomorrow, I will come again.
With Grace & Ink,
— Mai
The Skies Never Disappoint Me
Notes from the Hollow Bone | entry forty-six
There are moments lately where I catch myself speaking gently to the younger versions of me.
Not out of sadness.
Not even regret.
More like recognition.
Small reminders whispered internally while I move through ordinary moments:
This is your house.
This is your life.
You can do what you want.
And every time I say it, I realize how long some part of me has been waiting for permission to exist fully inside my own life.
I did not understand for a very long time that shrinking becomes instinct when love feels conditional.
When you grow up being told you are too loud, too stubborn, too emotional, too much—
eventually you begin editing yourself before entering the room.
You learn how to soften your edges.
How to speak more quietly.
How to become digestible.
You learn how to perform belonging.
And perhaps the saddest part is how long you continue performing long after no one is actively asking you to.
I think something shifted in me recently while standing beneath another impossible sky.
Not because the sky changed.
Because I did.
I realized I was no longer looking upward asking:
Do I belong here?
I was simply there.
Breathing.
Present.
Alive inside the moment instead of trying to earn my place within it.
And suddenly all the skies that had carried me through my life felt connected somehow.
Vietnam before memory.
Illinois sunsets.
New York winters.
California lights.
Missouri moon rises.
Tennessee rainstorms.
Different roads.
Different versions of me.
And yet the same quiet feeling returning each time I remembered to look up.
Joy was never missing.
I was simply taught to look for it somewhere outside myself.
And maybe healing is not becoming someone new after all.
Maybe healing is slowly removing every voice that convinced you your existence needed approval before it deserved expression.
Because I have spent more than half my life learning all the ways not to abandon myself.
God willing, I will spend the rest of it living differently.
Not louder.
Not harder.
Not in rebellion.
Just honestly.
And perhaps that is what finally feeling at home inside yourself looks like.
Not certainty.
Not perfection.
Just the quiet realization that your life no longer needs permission to become your own.
With Grace & Ink,
— Mai
Unfinished
Notes from the Hollow Bone | entry forty-five
I’m not even sure how to start this.
Nothing really happened, and I think that’s the point.
I was just sitting there, not doing anything in particular. My mind wasn’t completely quiet, but it also wasn’t fixed on anything important. Just… passing time, I guess.
At some point I looked up, and something about it made me stop for a second.
Not in a dramatic way. I didn’t have some big realization or emotional shift. It was quieter than that. I just noticed that I wasn’t thinking for a moment.
There wasn’t anything to figure out. No question. No meaning. Just what was in front of me.
And I stayed there for a second longer than I usually would.
That’s the only thing that felt different.
Because normally I would’ve tried to turn that into something. A thought, a feeling, something I could hold onto or take with me.
I felt that urge come in almost immediately. To name it, to understand it, to make it into something that mattered.
But this time I caught it.
And I didn’t follow it right away.
I just let the moment sit there.
It wasn’t comfortable, exactly. There’s something about not doing anything with a moment that feels… incomplete.
Like it’s supposed to go somewhere.
And this didn’t.
It just stayed what it was.
Unfinished.
And I left it like that.
I don’t really know what to make of it yet.
I’m not trying to.
I just know I stayed a little longer than I normally would.
And for now, that feels like enough.
— With Grace & Ink,
Mai
Unfinished
I touched a moment
in unfiltered space—
it gave no answers,
only quiet,
no name to chase.
So I left it there—
unfinished,
unnamed.
The Familiar Storm
Notes from the Hollow Bone | entry forty-four
There are moments when I can feel it before I fully understand it—not the noise, but the quiet beneath it. The kind that doesn’t reach for me, doesn’t ask me to become anything more than what I already am. No shaping. No softening. No offering of myself in pieces. Just presence.
And I recognize that feeling now. It’s the same one I once thought I was searching for.
And still—I don’t stay.
Not because it isn’t peaceful, but because it leaves me with nothing to do. No role to step into. No version of myself to present. No movement to follow. Just me—unmet, unmasked, uncertain.
And there is a part of me that doesn’t yet know how to exist there without reaching for something to hold onto.
So I do what I’ve always done. I move. I think. I shape the moment into something I can recognize. I return to what feels familiar—not because it is better, but because it is known. Because there is a strange comfort in being defined, even if that definition is not entirely true.
Because in the familiar storm, I know where I stand. I know how to move. I know how to be seen. And I don’t have to face what remains when all of that falls away.
I used to think this was failure. That if I couldn’t stay in that quiet, then I wasn’t doing it right. But I’m beginning to see it differently.
This isn’t failure.
It’s the moment before trust. The moment where nothing is required of me, and I have to decide if I believe that. If I can exist without earning my place. If I can remain without becoming something more palatable. If I can stay in what is freely given.
I don’t always stay.
But I notice now the moment I leave.
And maybe that’s where it begins.
— a fragment from the same silence —
The Familiar Storm
I touched the quiet—
it did not form.
Suspended,
unknown.
So I chose
the familiar storm.
There, the masks
fall into place.
The moon rises—
unchased…
And being unnamed
has no shape.
With Grace & Ink,
Mai
Where Nothing is Required
Notes from the Hollow Bone | entry forty-three
There are moments when I can feel the shift
before I understand it.
I didn’t realize how much of myself
I had been offering up in pieces—
adjusting, softening, shaping…
giving
until there was nothing left asking me to,
but also nothing left
to give.
It’s hard to stop performing
when you’ve been performing your whole life.
The masks change with the seasons.
With the people.
With the version of you that was needed.
And the longer you wear them,
the easier it becomes—
until the performance stops feeling like something you do
and starts feeling like who you are.
Until it doesn’t.
Until everything gets quiet.
So quiet
there is nothing left to respond to.
No audience.
No expectation.
No interruption—
except your own thoughts.
And that’s where it met me.
Not as a breakdown.
Not even as a loss.
But as a realization
I could no longer sustain.
Because somewhere in that silence
I had to face something
I wasn’t sure I wanted to know:
Can I feel fulfilled
without performing for it?
Because performing—
I know how to do.
Staying…
without being asked to prove anything—
That’s something I’m still learning how to do.
And maybe the hardest part of that truth
is learning how to stay
when nothing is required of you.
When no one is asking you
to prove you belong.
When there is nothing to earn—
and nowhere to perform.
I’m still learning what that means.
To stay.
Without reaching.
Without shaping.
Without becoming something more palatable.
Just—
as I am.
And if you’ve ever found yourself there too…
in that quiet space where nothing is being asked of you—
then you already understand.
You were never required
to earn your place here.
With Grace & Ink,
Mai
My Chest
Notes from the Hollow Bone | entry forty-two
There are evenings when the body remembers what the heart was never fully given.
Not in words.
Not even in images at first.
Only in sensation.
A heaviness behind the sternum.
A hollow ache that does not belong to the present moment.
A longing so old it arrives without language.
Tonight the rain made a child of me.
Not childish.
Child.
The part of me that still remembers what it means to want somewhere to fold into.
A place warm enough to receive every undone thing.
A softness that does not ask for explanation before offering shelter.
I think perhaps this is why I have always looked to the moon.
She has always felt maternal to me—
a silver chest above the dark,
quietly holding what the day could not.
Some longings do not ask for answers.
Only rest.
Only the permission to loosen the fist around grief.
To let tears arrive without reason.
To lay down the weight of becoming for one brief and holy moment.
There are wounds we do not know we are still carrying until the body begins to speak.
Mine has always spoken in ache.
In restraint.
In the strange resistance around touch where love should have been easiest.
Mother and daughter.
The place where longing and pride learned to live side by side.
I do not write this in blame.
Only in witness.
Because somewhere beneath every adult composure there still lives the child who once wanted to be held without having to ask.
Perhaps that is what this chest has always been—
not merely flesh,
not only the seat of breath and heart,
but the place where memory keeps its oldest weather.
Tonight I do not ask to be understood.
Only held by what is larger than me:
rain,
moon,
silence,
God,
the great maternal hush of night.
With Grace & Ink,
Mai
On Being Humbled Into Joy
Notes from the Hollow Bone | entry forty-one
Sometimes the messages that return to us are not new.
They are seeds planted years earlier, waiting for the right season to break open.
I remember a young man once telling me something that stayed with me long after the conversation itself had faded.
If he could tell his mother one thing, he said, it would be this:
put yourself in uncomfortable places.
Do the thing that unsettles you.
Step toward what you do not yet know.
Try it.
At the time, I carried the words without fully understanding them.
Only later did I realize I had already begun living them.
Again and again, I found myself stepping into places where certainty could not follow me.
A solo trip.
A different coast.
A stretch of days where the old version of me no longer quite fit.
Then another unfamiliar season.
And another.
Sometimes by choice.
Sometimes by circumstance.
Sometimes by a strange inner knowing that I was meant to keep moving.
Looking back, I see now that it was never really about the places.
It was about what those places were asking of me.
They were asking me to release the one thing I had clung to most:
control.
Control over what came next.
Control over how life should look.
Control over timing, outcome, and certainty.
I did not know how tightly I had been holding everything until life began gently — and sometimes not so gently — prying my fingers loose.
And in that loosening, something unexpected happened.
Peace entered.
Not the kind that comes from having all the answers.
Not the kind that comes from finally arranging life into something perfect.
A quieter peace.
The kind that arrives when surrender becomes trust.
The kind that lets a home feel like grace.
A blue jay at the window feel like blessing.
A quiet evening feel like abundance.
I think happiness found me only after I stopped trying to manage how it should arrive.
Only after I let myself be humbled enough to receive it in smaller, truer forms.
A breath.
A stillness.
A room of my own.
A life no longer ruled by the need to control every next step.
Perhaps joy had been waiting all along.
Not outside the unknown.
But within it.
With Grace & Ink,
Mai
When Mother Moon Woke Me
Notes from the Hollow Bone | entry forty
There are hours of the night when language loosens.
The mind, so practiced in ordering the day, begins to soften its grip. Thoughts no longer arrive in straight lines but in drifting currents, like mist moving low across the fields. Meaning becomes less spoken and more felt. It is in those hours, I am learning, that the soul is easiest to reach.
A few mornings ago, sometime in the tender dark between night and dawn, I woke.
Not abruptly. Not from fear.
I woke as if I had been called gently back to the surface by something luminous and familiar.
She was there.
Mother Moon, framed perfectly in my window, as if the sky itself had leaned close to my bedside. Her light poured through the glass in quiet silver-blue tones, resting across the room like a hand laid softly upon a shoulder. I lay there, half-dreaming, half-awake, and turned myself toward her, tilting over the side of the bed just enough to keep her in view.
I did not want to lose the sight of her.
There was no urgency in the moment, only wonder. The kind of wonder that does not ask questions because it already understands something deeper than explanation. It felt, in my body, like coming home. Like seeing a beloved face after a long absence. Like being gathered into something older and wiser than memory.
The closest image I have for it is this: it felt like what I imagine it must be to rest in a mother’s lap.
Not the memory of it, but the longing of it.
A heldness.
A safety.
A tenderness without condition.
And yet Mother Moon is more than mother in the earthly sense. She is not limited by one human shape or one human absence. She is vast, feminine, ancient, and entrancing. She carries comfort and power together — softness and awe in the same breath. There is something in her presence that quiets the noise within me and returns me to myself.
As I looked at her through the branches and the early morning veil, what changed in me was not dramatic. It was subtler than that.
Something in me eased open.
The places that had been carrying unnamed tension, thought, longing, and the quiet ache of recent days simply loosened. For a moment, there was no argument inside me. No need to solve, define, or understand.
Only rest.
If she had spoken, I believe she would have said:
Sleep, my sweet child.
And perhaps that is why I revere her so deeply.
There are voids in us that life leaves unnamed. Places where memory cannot fully reach, places where longing takes the shape of a question we have carried for years. Yet sometimes grace arrives in forms we do not expect — through prayer, through a conversation, through the first blush of dawn across a Missouri sky, through moonlight slipping perfectly through a bedroom window.
I have come to believe that God, in infinite tenderness, meets us in these places.
Sometimes through people.
Sometimes through silence.
Sometimes through the sky itself.
Perhaps that morning I did not need an answer.
Perhaps I only needed to be reminded that I am held.
That even in the hour when language loosens and the soul is easiest to reach, I am not alone.
The moon watched me as I drifted back toward sleep, and I lingered there, resisting the pull of rest just a little longer, the way I do when a painting is still unfolding beneath my hands or when a line of writing refuses to release me. I wanted to remain in that sacred threshold between waking and dreaming, in the presence of something that felt at once divine and deeply intimate.
Maybe this is what grace sometimes looks like:
a light at the window,
a body softened by wonder,
and the quiet understanding that not everything most true must first become words.
With Grace & Ink,
Mai
I Didn’t Know I Was Waiting to Arrive
Notes from the Hollow Bone | Entry thirty-nine
I have always loved the sky.
Not casually. Not in passing.
But in the way you return to something—again and again—
because it speaks a language you don’t quite understand,
yet somehow feel fluent in.
The way it shifts without asking permission.
Soft blues that stretch into something endless.
Clouds that gather, drift, dissolve—
as if they are thinking out loud.
Light that moves across trees like a quiet hand,
touching everything without holding anything.
I have watched it for years.
From different windows.
Different rooms.
Different versions of my life.
And it was always beautiful.
But if I’m honest—
there was always something beneath that beauty.
A quiet reaching.
Not loud enough to name.
Not heavy enough to stop me.
But present.
Like I was standing just outside of something
I was meant to be inside of.
I didn’t question it.
I just kept watching.
Kept admiring.
Kept telling myself this was enough.
And maybe it was…
for who I was then.
But something has shifted.
Nothing dramatic.
No moment that announced itself as change.
Just… a quiet noticing.
The sky is still the sky.
The trees still catch the light the same way.
The colors still move through the day
in that slow, familiar rhythm.
And yet—
I am not looking at it the same.
I sit now at a window
in a house I didn’t know I was waiting for.
A space that feels less like something I acquired
and more like something that recognized me.
Every angle, every view—
as if it had already decided
it would belong to me one day.
Long before I ever thought to ask for it.
And when I look out now—
there is no reaching.
No quiet ache beneath the beauty.
No sense that something is missing
just beyond the edge of what I can see.
There is only this:
Presence.
I am not watching the sky
as someone standing outside of her life.
I am in it.
Fully.
Without needing it to give me anything more
than what it already is.
And that is new.
I didn’t know how much of my life
had been shaped by a feeling I never named.
A subtle longing.
A soft, persistent sense that I was still on my way
to something I couldn’t quite define.
Even in joy.
Even in beauty.
There was always a thread of almost.
But that thread is gone now.
And I didn’t cut it.
It simply… isn’t there.
This is what I understand now:
Arriving doesn’t always look like movement.
It doesn’t always come with a moment you can point to
and say—there it is.
Sometimes it is quieter than that.
Sometimes it is the absence
of what used to follow you everywhere.
The absence of reaching.
The absence of searching.
The absence of needing something more
to make this moment complete.
I sit here,
watching the same sky I have always loved,
and for the first time—
I am not looking for anything inside it.
I am just here.
And maybe that is what it means to arrive.
Not to find something new—
but to finally recognize
you are no longer missing anything.
With Grace & Ink,
Mai
Lives We Could Have Lived
Notes from the Hollow Bone | Entry thirty-eight
Tonight I found myself thinking about the many ways a life can unfold.
It began with a woman older than me, standing in the yard of a small Missouri town, showing me where my property line meets hers. She walked slowly down the hill from her place to mine, using a rake the way someone might use a walking stick, tapping it into the earth as she moved.
Spring was beginning to whisper its way back. The ground still carried the debris of winter—twigs, brittle leaves, the remains of storms long past—but she pointed to different corners of the yard and named what would bloom when the weather turned.
“You’ve got tulips here,” she said, brushing aside a patch of leaves with the rake.
She pointed up toward a tree that had not yet awakened.
“That pink dogwood will be beautiful when it comes out.”
Near the entrance to my driveway stood a Rose of Sharon that had been there long before I arrived, waiting quietly for another season to begin.
She remembered all of it. The people who had planted the flowers. The years the yard had seen. The small histories rooted beneath the soil.
We walked through the grass like that for a while, talking easily, the conversation drifting wherever it pleased. Her husband worked somewhere above us on the hill, cutting wood from a tree he had taken down. The sound of the saw drifted through the air between bursts of birdsong that kept pulling my attention upward.
Every so often we leaned against the glass table in my side yard—the one that will eventually sit in the middle of a garden I have not yet planted. We rested there a moment, then wandered off again across the yard.
She told me she had grown up here. Foster care as a child. Married in her twenties. The man working above us was the same one she had chosen all those years ago.
He is dying now, she said matter-of-factly, as if she were describing the weather.
Still, they are preparing the lake cabin together while he has the strength—fixing things, putting it right—so that it will be ready for her later.
She spoke about it without drama. Without sadness exactly. Just the quiet acceptance of someone who has walked a long road and knows that every life eventually asks us to carry certain truths.
At one point she left the rake leaning against my fence as though the earth itself could hold it upright for her.
Then she pointed to a small stone pathway cutting through her yard.
“My son Charlie made that,” she said.
I asked where he lived.
She named a town I did not quite catch. Somewhere a ways from here.
“He’s not doing well,” she added, almost gently. “Drugs got the best of him.”
And then she kept talking about the flowers that would bloom in the spring.
There was no judgment in her voice. No bitterness. Just the matter-of-fact dignity of someone who understands that love does not disappear simply because life becomes complicated.
That was the moment I understood something quietly.
Everyone has a story.
Some are lived in one place long enough to become part of the soil.
Others wander.
Some are still searching.
Earlier that afternoon I had been telling her, before her story took the room, that I had spent the last year moving through the world differently. My children were grown now. Settled in their own lives. No longer needing me in the same way they once had.
So I began wandering a little myself—checking on them, making sure they were well, trying to understand what my own life looked like now that the center of it had shifted.
But when she began to speak, my unfinished sentence no longer mattered.
Her life was answering a question I had not known how to ask.
What does it mean to live one life fully?
And what becomes of all the others—the ones we nearly chose, nearly kept, nearly entered?
Later that evening I thought of a man from my past who could not remember my birthday when I asked him about it. I laughed because I could not remember his either.
But another birthday surfaced immediately in my mind, belonging not to him but to the boy I loved when I was thirteen.
My first love.
Two Virgos. Two days apart. The same year.
Back then we were certain that feeling something deeply meant it must surely last.
He has since passed away.
And still, his birthday remained somewhere in me, intact.
Memory is strange that way.
It does not always keep what was most important.
Sometimes it keeps what was most formative.
And then there is the quieter truth, the one nearest to me now: that I have caught feelings for someone who is not mine to have.
Not because there is no feeling there. That would be simpler.
But because timing, circumstance, and the clarity that comes with maturity have a way of standing at the edge of certain beautiful beginnings and saying—not this one.
I feel it.
And I stop it.
Not out of fear.
But because there comes a point in life where integrity matters more than possibility.
There was a time when I did not know how to do that.
When feeling something strongly was enough reason to follow it wherever it led.
But age has its own kind of wisdom, and sometimes that wisdom looks like restraint.
Sometimes it looks like standing very still in the presence of something that could have been extraordinary and choosing not to step toward it.
That too is a kind of love.
And perhaps that is what I am learning in this season of wandering and listening and noticing the small stories unfolding around me.
That a life is not made only of the things we do.
It is also shaped by the things we do not do.
By the roads we recognize and walk away from.
By the loves we honor without claiming.
By the quiet understanding that the world is full of lives we might have lived if one small moment had turned a different way.
The woman who stayed in this town lived one of those lives.
The boy whose birthday I still remember lived another.
The man whose presence I quietly step away from belongs to yet another.
And I—somewhere between wandering and settling—am living the one that remains.
The only one that ever truly belonged to me.
And tonight, I find myself grateful not only for the life I have lived…
but for the many beautiful ones that passed close enough to remind me who I am.
With Grace & Ink,
Mai
Under the Veiled Moon
Notes From the Hollow Bone | Entry thirty-seven
Tonight the moon was soft, concealed,
her silver brightness partly sealed;
like bowed-in-prayer, her gentle light
still folded heaven into night.
I lay in bed and spoke His name,
no stage, no script, no need for fame;
just like a child with open hands,
asking what it barely understands.
I thanked Him not for days “all good,”
but for the path I never would
have chosen, yet can now retrace
and see His fingerprints in place.
Then in the middle of my prayer,
my stomach growled into the air;
I smiled beneath that quiet ache —
a training ground that does not break.
It whispered, learn to watch, to wait,
let body, spirit integrate;
let joy arrive without a sound,
a steady knowing, holy ground.
Beneath the moon’s thin, veiling glow,
one truth is all I need to know:
that Love knows love, and in that sight
I’m seen, I’m guided through the night.
With Grace & Ink,
Mai
When the Morning Arrives Softly
Notes From the Hollow Bone | Entry thirty-six
There is a version of me that only lives in the early light —
before the coffee,
before the world begins its movement,
before my mind remembers there are lists and clocks.
She is quiet.
She is honest.
She is unarmored.
And in that stillness, I remember —
nothing is demanding me anymore.
Not in the way it used to.
Because I no longer bow to urgency.
I no longer chase what is already meant for me.
And peace — I’m learning — doesn’t run.
It settles.
It waits.
It arrives gently and expects nothing in return.
Sometimes I think God speaks loudest in the softest places —
a pale sky,
a slow morning,
the way the day opens like water rippling from a pebble’s touch.
And what I hear isn’t instruction.
It isn’t direction.
It isn’t even a whisper.
It is simply this:
Be still with yourself.
Be patient with your becoming.
Everything is flowing as it should.
So I sit here — not chasing light,
not reaching for the next version of me,
not proving, fixing, or performing.
Just being.
And I’m finding that simply being here
— with Him
— is enough.
With Grace & Ink,
— Mai